The workshops on choreographic composition are based on the comparison – translation – relationship among the parameters of sound and movement, that keep into account also the energetic – dramaturgical features of their declensions.

The concept of dramaturgy applied to dance and music is intended here in its most abstract meaning, the “how” in the act of carving time and space. Hence, dramaturgy – even if anchored to its etymologic meaning – becomes work about the act of dancing, in accordance with the polysemantic nature of the language of movement. The work is based on practical/theoretical, experiential and deducible activities, in which the parameters of sound and movement become instruments to observe, investigate and elaborate the body’s languages.